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Professor

Mohsen Nasrin

Mount Royal University · Other

At a glance

Research interests

are firmly grounded in the dynamic intersections of Film Theory, Canadian Cinema, World Cinema, Film and Philosophy, Gilles Deleuze in Film Criticism, Temporality of Moving Images, and Early Cinema. As an educator, I am passionate about fostering a deep understanding of these topics in students, equipping them with the critical tools to engage with films as both cultural artifacts and philosophical texts. In my research, I'm dedicated to exploring the intricate relationship between temporality and moving images, drawing inspiration from the philosophical insights of Gilles Deleuze. My work delves into the temporal dimensions of Early Cinema and contemporary cinema, examining how temporal constructs shape narrative, perception, and meaning in various cinematic traditions. Overall, my objective is to contribute to the evolving discourse surrounding the multi-layered experience of time cinema.

About

Biography

Mohsen Nasrin is Instructor, Film at Mount Royal University and is affiliated with Faculty of Arts, English, Languages, and Cultures. Collected research and teaching information includes are firmly grounded in the dynamic intersections of Film Theory, Canadian Cinema, World Cinema, Film and Philosophy, Gilles Deleuze in Film Criticism, Temporality of Moving Images, and Early Cinema. As an educator, I am passionate about fostering a deep understanding of these topics in students, equipping them with the critical tools to engage with films as both cultural artifacts and philosophical texts. In my research, I'm dedicated to exploring the intricate relationship between temporality and moving images, drawing inspiration from the philosophical insights of Gilles Deleuze. My work delves into the temporal dimensions of Early Cinema and contemporary cinema, examining how temporal constructs shape narrative, perception, and meaning in various cinematic traditions. Overall, my objective is to contribute to the evolving discourse surrounding the multi-layered experience of time cine. This summary considered all 2 collected sources.

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